Canon HV20 3MP High Definition MiniDV Camcorder with 10x Optical Image Stabilized Zoom - Digital Camera Review: All of the latest digital camera reviews and digital imaging news.

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L. G. CHARLOT (California, USA) –

  

The HV-20 is Canon’s “flagship” camcorder, and received [...] “2007 Camcorder of the Year” award. It has the best low-light image quality in it’s class (in 24p mode, using 1/48th second shutter speed), and CCI says that it has the overall best image quality of all comparable models.
What I like about the HV-20:
1. High definition 1440x1080i video image, using MPEG-2 compression. The similar Canon HG-10 outputs the full 1920x1080i resolution, but since it uses the more aggressive MPEG-4 compression scheme, it’s low light performance suffers. Another advantage of the HV-20 is that MPEG-2 is easier to edit than MPEG-4.
2. Manual focus control that is relatively easy to access. The focus control consists of a button and wheel placed just behind the lens on the left side. The button toggles between manual and auto focus and the wheel effects the actual focussing. A lens-mounted ring would be a lot better, but these have gone by the way side on consumer priced camcorders – you have to spend $2500 or more on a semi-pro model to get a focus ring nowadays. WHY MANUAL FOCUS IS IMPORTANT: Digital cameras in general often have trouble focusing in low light or low contrast situations, for example shooting seascapes on a foggy day where everything is shades of gray and outlines are blurry and dim. On auto focus, the camera will “hunt” back and forth trying to lock focus, or will lose lock and start hunting in the middle of a shot, ruining that take. You will get better results if you use manual focus in these conditions.
3. Stereo Microphone jack, mounted on the side instead of the front. If you buy any MiniDV camcorder, you will eventually want to use an external shotgun or lavalier microphone. The built-in mic on almost any MiniDV tape drive camcorder is going to pick up the whine from the tape drive and lens zoom motors; an external mic will eliminate this problem. NOTE: The HV-20′s mic jack is a stereo input, so that you can use two separate mics with a y-cable, or a single mic with a Mono-to-Stereo adapter. Radio Shack sells a suitable one for $3.00, their part number is 274-374. I use it with the ATR-55 shotgun and ATR-35 lavalier mics I bought for use with the HV-20. If you don’t use this type of adapter, a mono microphone will only give a signal to the left audio channel on the HV-20 camcorder, leaving the right channel silent. The adapter will split the signal from the mic equally to both channels, which sounds better. Canon sells a shotgun mic for this camera that is stereo, and uses the camera’s hot shoe, but at $150 it was three time the price of the ATR-55 shotgun, so I passed on it.
4. Ability to do “pass-through” Analog-to-digital transcoding. For example, if you have old family videos shot on VHS or 8mm analog videotape, you can use the “pass-through” capability of the HV-20 to convert the analog video to 720x480i digital video that can then be edited on a computer. You connect a VCR or your old Hi-8 camcorder to the HV-20 with component video cables (that’s the red, white, and yellow cables that come with the HV-20), then connect the HV-20 to your computer with a firewire cable. Start the capture software on the computer, then play the analog tape – the HV-20 will transcode the analog video to digital video and pass it to the computer. You can then perform whatever type of image clean-up your video software supports, and output your old wedding or baby videos to DVD! Not every camcorder supports this, so it was a bonus feature that drew me to the HV-20.
5. Decent ergonomics. The camera feels pretty good in the hand and the controls are pretty good, with a few exceptions, most notably the zoom rocker, which is very poor compared to the EXCELLENT zoom rocker on Canon’s own HG-10. What a shame that the HV-20 doesn’t share this zoom rocker with the HG-10! Sony’s camcorders generally have better “feel” in the hand than the HV-20, but I wanted the best image quality possible, so ergonomics was secondary in my priorities.
6. Well thought out layout of controls and I/O jacks. Some camcorders place I/O jacks UNDER THE BATTERY, requiring you to remove the battery to use them, meaning that you MUST power the camera with the AC adapter to use these jacks. STUPID! What if you are in the field, and don’t have access to any power source other than the camera’s battery? Thankfully, the HV-20 doesn’t seem to suffer from any bone-head design bloopers like that. I also liked the fact that the HV-20 is fully self-contained, compared to a certain Sony model that does not have a firewire jack on the camera itself: you have to use a “docking station” to download this camera to a computer (another dumb design IMO).
7. 24P shooting mode: This is one of the “key” features on the Canon HV-20 and HG-10, and is really one of the primary features that would lead someone to choose one of these Canon’s over a Sony, Panasonic, or JVC high-def camcorder. The primary…

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I am going to give it a 4 star rating because even though the image quality surpassed my expectations, you still need to buy an external microphone which defeats the portability of the camera. Here is a quick review:
Pros:
1) The image is as sharp as they say it is if not better.
2) Awesome White Balance, never seen anything better.
3) Amazing latitude.
4) Color rendition comparable to more expensive 3CCD cameras.
5) The optical stabilizer is the best one I have seen in my entire life as a professional cameraman, you won’t believe your eyes.
6) More sensitive in low light than advertised!
7) Audio line-in for external mike.
Canon HD footage is universally compatible unlike Sony’s proprietary compression. Avoid Sony HD cameras, you won’t be able to edit easily with Sony.

Cons:
1) Built-in mike is too sensitive to camera noise and it is completely useless in windy conditions.
2) The Canon battery included will record about one hour of High Definition. The BP-2l14 (not included) may last two hours.
3) Playback buttons are difficult to find and press in dark environments or at night.
4) Audio monitoring is not automatic, playing back recorded audio on headphones is a real pain requiring extra steps.
5) Editing canon footage is easier than editing Sony footage but it is still costly and cumbersome.

Conclusion: This camera is not for the novice, don’t buy it unless you are willing to spend extra money on a High-Definition LCD Monitor, an external microphone ($100-$150) and a third-party battery (min $50).
Turn on the sound attenuator if you are under windy conditions. Despite what you may have heard, even the cheapest miniDV tape will work perfectly, do not buy expensive miniDV tapes, it makes absolutely no difference. I like TDK better than SONY.
Do not buy a MiniDV Cleaner Tape, they are useless, take your camera to a repair shop in the unlikely event that you experience glitches, they know how to clean the camera heads best.
If you plan to edit the footage avoid using the 24 frames per second mode. It is best to shoot at regular video speeds and create the “film look” later, in post. Leave the 24-fps for the amateur film-makers.

**THIRD PARTY BATTERY WARNING**

Bigger batteries do not necessarily last longer, it depends. Lots of third party “replacement” batteries are available on the Internet, they are a lot cheaper, sometimes 1/3 less BUT BEWARE, these companies use deceptive advertisement, their batteries claims are almost always untrue. Any company claiming that they make a battery that last longer than two hours (or over 1500mAh) is lying to you, also, some third party batteries (like Impact) are too big for the HV20, they stick out over one inch from the back of the HV20, so much so that you may not be able to place your eye on the viewfinder while you record. It is probably safer to buy Canon batteries.

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I purchased this camcorder almost 6 months ago, for both personal and professional uses. I made my decision because of the overwhelmingly positive professional reviews. You cannot go wrong with either a Canon HV20 or a Sony HC7, they have very similar characteristics. One thing that the Canon has is the true 24p mode which is important for indy filmmakers and also improves low light performance indoors and out.

I can attest to the durability of this unit as I put it through a limited torture test over 6 months. Its been to Hawaii which actually has many different environments. Dry, hot, wet, humid, and rain. Yes, there were shots that I had to get of waterfalls that got the camcorder sprinkled with a light mist. The camcorder performed perfectly. I quickly wiped off any moisture after I got the shot. Its been on a boat and down hiking trails.

The video in good lighting is spectacular. Lighting is the most important aspect of good video making. Even the best camcorder will perform poorly if the lighting is not good. The best time to video for the most spectacular results is either overcast days or where the sun is not visible. A sunny day is not the best for video, since you get extremes in contrast. Of course a dark environment is also not the best for video making. Canon’s 24p mode is a great addition to help in the low light department, but I recommend a strong video light for very dark areas. The HV20 is the cheapest true 24p camcorder.

I also had the opportunity to take video in standard definition (this camcorder will do both High Def, and standard. I needed to take some video of a professional sports team, and interview. The requirements were standard definition. The outdoor shot were the best I have ever seen from a camcorder in standard definition. I put it on a standard DVD and played it in the home player and it was excellent. So you can shoot either way. Standard def can be put directly to regular DVD today.

Sound is very good, but I recommend that you get a wireless microphone for any interviews. I bought the Audio Technica wireless lavelier microphone. It can go up to 100 feet away and sounded very good.

Still pictures were good. Its nice to have if you don’t want to lug around a still camera. But as with any camcorder, you will get your best shots from a dedicated still camera.

Overall this is a great camcorder. If you are doing editing, your best bet is to use a tape based HDV camcorder. They are less compressed (better quality) video than Hard Disk or memory card based camcorders. At least for now.

Some more tips for this camcorder: use the sony high definition tapes (available here at amazon), if you want, you can get a wide angle adapter lens, get a good case that can hold your camcorder and accessories and get at least 1 extra battery. I also recommend that you get a clear filter and lens cap if you are going to be in conditions where the lens could get dust, dirt or water. Its much easier to clean the filter than to clean the primary lens. This camcorder does have an automatic lens cover, but since I was in rainy conditions I found the filter to be very useful.

When in a car, you will many times see a reflection from the dash on the windshield. If you have ever worn polarized sunglasses you know that that will get rid of that glare. The same is true for the camcorder. Get a polarized lens if you plan to do filming in a car during the day, or are going to be outdoors in bright light, especially near the glare that comes off the ocean.

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